| 1 |
91 |
Ecocriticism and Nicolas Roeg's Walkabout |
Iris Ralph |
| 2 |
90 |
The Terror of a Contact Zone: On Rudyard Kipling’s “At the End of the Passage” |
Ozawa, Shizen |
| 3 |
90 |
Representing Empire: An Interpretation of ‘From Tideway to Tideway’ |
Ozawa, Shizen |
| 4 |
88 |
Not Feeling at Home at ‘Home:’ On Rudyard Kipling’s Works of the Early Eighteen-Nineties |
Ozawa, Shizen |
| 5 |
88 |
Policing Colonial Urban Landscapes: A Reading of Rudyard Kipling’s ‘The City of Dreadful Night’ |
Ozawa, Shizen |
| 6 |
88 |
Fluid desire : Modern cultural landscape in tsai Ming-Liang's Taipei trilogy |
吳怡芬; Wu, I-fen |
| 7 |
87 |
Scratching on the Face of the West: Kafu Nagai’s ‘Voyage In’ |
Ozawa, Shizen |
| 8 |
87 |
Does camera tell the truth ? The film aesthetic and historical representation of hou hsiao-hsien's trilogy |
吳怡芬; Wu, I-fen |
| 9 |
87 |
Thomas Pynchon's Gravity's Rainbow and James Joyce's Ulysses |
Iris Ralph |
| 10 |
86 |
Identifying the ‘Real:’ On Early Metropolitan Receptions of Rudyard Kipling |
Ozawa, Shizen |
